

De España con Amor is a concert program inspired by the Spanish musical temperament, in which art song, opera, zarzuela and popular Mediterranean vocal tradition meet.
The program opens with the Canciones clásicas españolas cycle by Fernando J. Obradors, a collection of songs in which refined vocal lyricism merges with the characteristic rhythms and colors of Spanish music. Obradors' El Vito is followed by three famous excerpts from Bizet's Carmen – Habanera, Seguidilla and "Les tringles des sistres tintaient" – which bring the seductiveness, rhythmic liveliness and dramatic energy of one of the most famous operatic characters.
The second part of the program broadens the musical horizons towards Verdi and Spanish zarzuela with works by Francisco Asenjo Barbieri, Rupert Chapí, Pablo Luna and José María Giménez. The concert concludes with the Mediterranean breadth of Tosti's Marechiara and two extremely popular concert numbers – Lecuona's Malagueña and Lara's Granada.
De España con Amor thus shapes an evening of strong emotions, temperament and sumptuous vocal expression, connecting Spanish song, opera and zarzuela in a unique concert arc.
Fernando J. Obradors
Canciones clásicas españolas, vol. 1
– My only one, Laureola
– To love
– Corazón, ¿por qué pasáis?
– The jealous king
– With love, my mother
– Of the most subtle hair
– Coplas de Curro Dulce
Fernando J. Obradors
El Vito
Georges Bizet
Habanera from the opera Carmen
Georges Bizet
Seguidilla from the opera Carmen
Georges Bizet
"Les tringles des sistres tintaient" from the opera Carmen
Giuseppe Verdi
"Nel giardino del bello" from the opera Don Carlo
Francisco Asenjo Barbieri
Canción de Paloma
Ruperto Chapí
"Cuando está tan hondo" / Romance de Socorro from El Barquillero
Pablo Luna
"I come from Spain" from The Jewish boy
Ruperto Chapí
"Al pensar en el dueño de mis amores" from The daughters of Zebedee
Jose Maria Gimenez
La Tempranica: no. 2, Tiempo de zapateado – "La tarántula e un bicho"
Francesco Paolo Tosti
Marechiare
Ernest Lecuona
malagueña
Agustín Lara
Granada






